{"id":151011,"date":"2022-02-22T10:00:16","date_gmt":"2022-02-22T16:00:16","guid":{"rendered":"https:\/\/blizzardwatch.com\/?p=151011"},"modified":"2022-02-22T09:40:20","modified_gmt":"2022-02-22T15:40:20","slug":"legend-vox-machina-s1-review","status":"publish","type":"post","link":"https:\/\/blizzardwatch.com\/2022\/02\/22\/legend-vox-machina-s1-review\/","title":{"rendered":"The Legend of Vox Machina is impressive and entertaining, but occasionally uneven"},"content":{"rendered":"<p>I was pretty excited for <em>The Legend of Vox Machina<\/em>\u00a0back when the Kickstarter broke records and went from a single animated show to a series, but I will admit to some trepidation as well.\u00a0Any adaptation of a story into a new medium carries risk, simply because different storytelling mediums have their own constraints. A novel is limited in ways television is not, and is also free in ways television is not &#8212; there&#8217;s never a need to worry about a VFX budget when writing a story designed for text. It&#8217;s not often a\u00a0<em>D&amp;D<\/em> campaign gets adapted to the animated format &#8212; there was a\u00a0<em>Dungeons and Dragons<\/em> cartoon, of course, but it wasn&#8217;t a literal adaptation of someone&#8217;s game. I&#8217;m not sure it&#8217;s ever been done before, and if it has, it certainly hasn&#8217;t been done at this scale.<\/p>\n<p>So having finally sat down and watched all 12 episodes of the show &#8212; to date, anyway, as there are more coming with<a href=\"https:\/\/www.hitc.com\/en-gb\/2022\/02\/18\/the-legend-of-vox-machina-season-2-confirmed-by-amazon-and-critical-role\/\"> Season 2 already confirmed<\/a> &#8212; I thought I&#8217;d talk about how the adaptation process changed some things and preserved others. I think it&#8217;s safe to say there are some pacing issues &#8212; the first storyline feels like it goes an episode too long, and it&#8217;s only two episodes &#8212; but with the Briarwood arc the show finds its footing, thanks in part to some excellent acting not just by the principal cast. Grey DeLisle Griffin as Delilah Briarwood is a standout performance, as is Kelly Hu as Anna Ripley.<\/p>\n<p>Indeed, the assembled voices for this show are by and large fantastic. Again, it&#8217;s not surprising that the main cast plays their parts well &#8212; they originated these characters, after all. But seeing Sovereign Uriel and hearing Khary Payton&#8217;s voice, or Stephen Root&#8217;s fantastically creepy Professor Anders, this is where the show really exceeds the limitations of a streamed TTRPG game. As good a voice actor as Matt Mercer is &#8212; and he&#8217;s phenomenally good, as he demonstrates in his varied roles such as Sylas Briarwood and Orthax &#8212; having very different voices come out of these characters helps set them in the story far more effectively. And it&#8217;s <em>really<\/em>\u00a0trippy to hear David Tennant&#8217;s voice coming out of Brimscythe. I&#8217;m still not sure how I feel about that. Has David Tennant played a Dragon before? He&#8217;s very good at it. Almost too good at it.<\/p>\n<p>There have been changes to the narrative. For starters, the initial two part episode that opens the series was never actually streamed &#8212; it&#8217;s from the original home game they played before\u00a0<em>Critical Role<\/em> was a thing. It&#8217;s not a surprise that changes were made to that storyline from the brief recap that they posted on their site years later. I&#8217;m actually a bit surprised at how faithful they&#8217;re being to the original material, considering it was all improv because that&#8217;s how\u00a0<em>D&amp;D<\/em> games roll. The animation is as excellent as you&#8217;d expect from Titmouse, the <a href=\"https:\/\/blizzardwatch.com\/2021\/06\/24\/vox-machina-bourassa\/\">character designs by Phil Bourassa<\/a> are near perfect, so ultimately there&#8217;s very little to complain about there &#8212; but it is weird to see these characters not through the lens of fan art and people playing pretend on a live stream, the way I saw them first.<\/p>\n<p>But not everything about the series is completely stellar. Not all the jokes land &#8212; up until about episode 4, it feels like Scanlan is trying <em>way<\/em> too hard. But after that, it gets a lot better, possibly because that gallows humor feeling makes it seem more desperate. The story gets so much stronger during the Briarwood arc as it focuses on Percy&#8217;s past, and the Briarwoods themselves in Episodes 8 and 9 are just astonishingly good. I feel bad that I haven&#8217;t singled out each actor in the show, because all of them &#8212; original CR cast and the new additions &#8212; have moments of real excellence.<\/p>\n<p>There were some pacing issues &#8212; the opening two parter just kind of drags at times, at least in my opinion. While I very much liked the Briarwood arc, I did feel like certain moments were better unscripted &#8212; the first time, when Scanlan threw Percy&#8217;s gun in the acid, it was a legitimate shocker. This time, I knew what was going to happen, which is always the danger in an adaptation of a work you&#8217;ve already experienced.<\/p>\n<p>Considering how tricky adaptation is, this was a really interesting and very successful first season, and I expect Season 2 will be stronger as it starts right out of the gate with the Chroma Conclave arc. And you needed that opening with Brimscythe to set that up, so while I would have liked it to be shorter, it does serve an overall narrative purpose.<\/p>\n<p>In the end, it was just an entertaining animated series, whether or not you&#8217;re familiar with the source. In fact, it might be better to watch this than as your introduction to that original\u00a0<em>Critical Role<\/em> campaign than it would be to watch the original streams. For one thing, it&#8217;s a lot quicker.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I was pretty excited for The Legend of Vox Machina\u00a0back when the Kickstarter broke records and went from a single animated show to a series, but I will admit to some trepidation as well.\u00a0Any adaptation of a story into a new medium carries risk, simply because different storytelling mediums have their own constraints. A novel&#8230;<\/p>\n","protected":false},"author":3,"featured_media":102000,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[60354,43498,75236],"tags":[1531,74444],"yst_prominent_words":[67793,8570,9011,8585,8745,8481,18207,9696,11213,29417,9000,15368,11513,8186,9826,35755],"acf":[],"_links":{"self":[{"href":"https:\/\/blizzardwatch.com\/wp-json\/wp\/v2\/posts\/151011"}],"collection":[{"href":"https:\/\/blizzardwatch.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blizzardwatch.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blizzardwatch.com\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/blizzardwatch.com\/wp-json\/wp\/v2\/comments?post=151011"}],"version-history":[{"count":3,"href":"https:\/\/blizzardwatch.com\/wp-json\/wp\/v2\/posts\/151011\/revisions"}],"predecessor-version":[{"id":151063,"href":"https:\/\/blizzardwatch.com\/wp-json\/wp\/v2\/posts\/151011\/revisions\/151063"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blizzardwatch.com\/wp-json\/wp\/v2\/media\/102000"}],"wp:attachment":[{"href":"https:\/\/blizzardwatch.com\/wp-json\/wp\/v2\/media?parent=151011"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blizzardwatch.com\/wp-json\/wp\/v2\/categories?post=151011"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blizzardwatch.com\/wp-json\/wp\/v2\/tags?post=151011"},{"taxonomy":"yst_prominent_words","embeddable":true,"href":"https:\/\/blizzardwatch.com\/wp-json\/wp\/v2\/yst_prominent_words?post=151011"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}